![]() “I hung out for a minute afterwards… actually I was there for a long time, because David had this huge rig set up and he was super-sweet. “I was in a studio looking back into the control room and there was David Gilmour saying ‘Hey, this sounds good!’” Landau went on. But with Emil Sorn gone, the tide has turned and the inmates have their sights set on running the prison their way.Directly following the events in 'One on one', this book delves. “I’m sure he didn’t specify me, but Bob suggested it and yeah… playing guitar for Pink Floyd was one of the most bizarre things ever.”Īs Gilmour was on hand to observe Landau’s lead playing, he was also able to provide Landau with some feedback – “Hey, this sounds good,” he told Landau – and then gave the session man a brief tour of his gear. One on ones used brutality to gain an unprecedented level of control over the inmates in Larsan State Prison. “There was that delay part I did, that dotted eighth kinda thing that was very popular back then, and for some reason David didn’t want to do it. “I think they brought in a couple of outside guitar players,” he continued. “It was crazy, David was right there! I’d been working with Bob Ezrin on several other records, and he ended up producing that Pink Floyd album. ![]() “I think I might have played on one more, though I’m forgetting the title of it right now,” Landau replied when asked about his time recording One Slip. And, though he was tapped to only play a small six-string role – a dotted eighth delay lead part on One Slip being the highlight – the short time he spent recording electric guitar in front of David Gilmour and co constituted “one of the most bizarre things ever”. ![]()
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